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Movie Review | 'The Private Lives of Pippa Lee': In a Wife’s Crème Brûlée, Visions of a Stormy Past
Rebecca Miller’s fourth film is a wry, acutely observant drama.
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Movie Review | 'Ward No. 6': Longing for the Old Days and Looking for Meaning
“Ward No. 6” is an updated adaptation of Chekhov’s famous short story set in a Russian provincial mental hospital.
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Movie Review | 'Home': An Isolated Family Hears Outside World Knocking
“Home” is an art-house domestic comedy with a tragic undercurrent about a family and its idiosyncratic cohabitation.
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Movie Review | 'The Brooklyn Heist': Three Crooked Gangs, See How They Bumble
Simultaneously channeling Scorsese, Jarmusch and Wayans, Julian Mark Kheel films each story line of his indie comedy “The Brooklyn Heist” in a different mode.
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Books of The Times: Limelight Lives, Burned by Booze
A rowdy collection of riotous tales about four of the British Isles’ most stylish drunken actors: Richard Burton, Richard Harris, Peter O’Toole and Oliver Reed.
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Film: A Director Who Gives Business the Business
You probably wouldn’t notice Jason Reitman, the director of “Up in the Air,” walking by you in an airport. It would be a good place to look, though.
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So Many Dark Sides
With his Broadway debut in David Mamet’s “Race,” James Spader sticks to his favorite role: the snake.
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Movie Review | 'The Princess and the Frog': That Old Bayou Magic: Kiss and Ribbit (and Sing)
Movie Review | 'The Princess and the Frog': That Old Bayou Magic: Kiss and Ribbit (and Sing)
movies.nytimes.com — It’s not easy being green. But to judge from how this hand-drawn movie addresses, or rather strenuously... avoids, race, it is a lot more difficult to be black. Movie Review | 'The Princess and the Frog': That Old ...
Movie Review | 'Old Dogs': A Bit Mangy, but Up for New Tricks
To describe the knockabout family comedy “Old Dogs” as a ramshackle mess doesn’t begin to evoke the confusion and sloppy continuity of the movie.
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Movie Review | 'Ninja Assassin': Hero Who Can’t Keep His Shirt On
The best thing about “Ninja Assassin” is its refreshingly honest title.
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Movie Review | 'Me and Orson Welles': When a Bombastic Young Man Bestrode the Boards of the Mercury Theater
“Me and Orson Welles” pays tribute to youthful creative ambition where and whenever it may thrive.
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Movie Review | 'The Road': Father and Son Bond in Gloomy Aftermath of Disaster
The most arresting aspect of “The Road” is just how fully the filmmakers have realized this bleak, blighted landscape of a modern society reduced to savagery.
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Arts, Briefly: New Musical Director for Oscars Show
If the Academy Awards show in March turns out to be teeming with original musical numbers or sexual puns, now you’ll know whom to thank or vilify: Marc Shaiman.
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Arts, Briefly: Lawyer vs. Lawyer in Polanski Case
Roman Polanski’s legal team in the United States were concerned by the public statements of a French lawyer, Hervé Temime, regarding the case.
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Yanks Film Is Shown; No Word Yet on Sequel
Manager Joe Girardi and General Manager Brian Cashman walked the red carpet as Major League Baseball Productions unveiled the 2009 World Series film at the Ziegfeld theater.
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Hunks, Girls and Romance: ‘Twilight’ Dawns Bright at the Box Office
“The Twilight Saga: New Moon” sold a supernatural $140.7 million in tickets over the weekend in North American theaters.
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Still King of the Cinematic Slopes
“Dynasty,” the latest in a decades-long series of Warren Miller ski films, comes to Symphony Space on Sunday.
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Film: Two Films, Two Routes From Poverty
“The Blind Side” and “Precious” share a premise but sidestep similar issues.
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DVDs: Advance Troops of Cinema, Marching Through Time
The concept of avant-garde, however vague, is rendered admirably concrete in three recently released DVDs.
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To Blacks, Precious Is ‘Demeaned’ or ‘Angelic’
“Precious: Based on the Novel ‘Push’ by Sapphire” has sparked heated debate about its meaning since its limited release.
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