Link Time!!!
PopSugar —
The Brodericks scoot right past the lingerie store — Jezebel
Is Jessica Biel an airhead? — LaineyGossip
Check out Ellen as the new CoverGirl! — BellaSugar
Kate Moss's daughter loves the smell of gas — D-Listed
Rachel Weisz does Vogue — JJ
Honor comes out to play —PITNB
Marisa Miller heats up Malibu — Egotastic
Elizabeth Banks talks to Women's Health — Goldenfiddle
Katy Perry should keep kissing girls — ...
Buzz Buzz Buzz
cityrag —
... Lower East Side Food Tour Sharon Osbourne kicked my boss in the balls Invincible Spirit NY Tattoos Sunset over Brooklyn Killer Knees Johnny Depp fight Demo Derby decadence The 12 Days of Buddy The Breakfast Club | Main Buzz Buzz Buzz Mary Louise Parker Nude On Weeds Scarlett Johansson Is A Total Diva Kate Hudson’s Breasts Are Infectious Michelle Williams Is A Real New Yorker Rachel Weisz - “Vogue” October 2008 Kingston Stays Cool Sipping A Smoothie Kat DeLuna ...
The Wrestler Review, NYFF 2008
SpoutBlog —
... Aronofsky acknowledged that the goal was to stick to “the documentary style” as much as possible. This goes beyond the almost always hand-held camera: the wrestling scenes were shot at “real” meets staged by the production, with real current and former wrestlers as extras and as Rourke’s opponents, Tomei learned from and danced alongside professional strippers. There is something undeniably farcical about a name-brand filmmaker (whose wife is currently on the cover of VOGUE, no less), dropping two movie stars into facsimiles of lower-class American ...
THE WRESTLER Review
SpoutBlog —
... has acknowledged that his goal was to stick to “the documentary style” as much as possible. This goes beyond the almost always hand-held camera: the wrestling scenes were shot at “real” meets staged by the production, with real current and former wrestlers as extras and as Rourke’s opponents, while Tomei learned from and danced alongside professional strippers. There is something undeniably farcical about a name-brand filmmaker (whose wife was recently on the cover of VOGUE, no less), dropping two movie stars into facsimiles of lower-class American ...


